Shepard Fairey Sentenced to Two Years Probation For Evidence Tampering
The iconic artist gets sentenced for evidence tampering.
Shepard Fairey, the artist who created the iconic Obama “HOPE” poster, has been sentenced to two years probation in a U.S. District Court in Manhattan.
Friday morning, prior to his sentencing, Shepard Fairey released a statement admitting to, and apologizing for, tampering with evidence in his civil case with the Associated Press. In 2009 the Associated Press released a statement saying they were seeking compensation for the use image the HOPE poster is based on, Fairey then sued AP, seeking a court declaration that he did not violate AP’s copyrights. AP filed a counter suit but the case was finally settled out of court in 2011.
The sentence and statement come the day after President Obama gave a rousing nomination acceptance speech at 2012 Democratic National Convention, and just five days after the Obama administration’s own Department of Justice filed a sentencing memorandum recommending jail time for the offense. (The maximum sentence he could’ve received for this misdemeanor conviction is six months.)
In the statement Fairey is remorseful and regretful; admitting that the destruction and fabrication of evidence in the civil case was done out of fear and embarrassment thereby derailing his own claim of Fair Use. Though apologetic for his mistakes Fairey stands firm in asserting artists’ right to Fair Use : “I let down artists and advocates for artist’s rights by distracting from the core Fair Use discussion with my misdeeds.”
Read the entire statement below and let us know what you think of this case in the comments section.
I accept full responsibility for violating the Court’s trust by tampering with evidence during my civil case with the Associated Press, which, after my admitting to engaging in this conduct, led to this criminal case by the Southern District of New York. I accept the Judge’s sentence and look forward to finally putting this episode behind me. My wrong-headed actions, born out of a moment of fear and embarrassment, have not only been financially and psychologically costly to myself and my family, but also helped to obscure what I was fighting for in the first place— the ability of artists everywhere to be inspired and freely create art without reprisal.I entered into litigation with the AP because I believe in Fair Use and I wanted to protect the rights of all artists. The Obama HOPE poster was created and distributed with a belief in what Obama could do for this country and my hope that I could inspire others to thought and action. Making money was never a part of the equation. As funds came in, I used them to create more posters and stickers and make donations to the Obama campaign. Most of the remaining proceeds were given to causes I support and believe in from the ACLU to Feeding America.I believed, and still believe, that I had a very strong Fair Use case, which I could have prevailed. There was no intent to deceive on my part at the outset. When I discovered that the photo I had referenced was indeed the one the AP argued it was and not the one I thought I had used, I was embarrassed and scared to admit they were right and I was wrong even though it would not have had a material bearing on my case. Not amending the record was a big mistake and short-sighted. My actions damaged my ability to proceed effectively with my case and allowed the AP to focus on my credibility. I regret my actions every day and those who know me well know it is out of character.Throughout my artistic career I have seen art as a powerful tool of political speech and social commentary and I try to use my art to stimulate a constructive dialogue. I believe in intellectual property rights and the rights of photographers, but I also believe artists need latitude to create inspired by real world things, just as news organizations need to use exception to copyright in order to report the news. The ability for an artist to creatively and conceptually transform references from reality is essential to their artistic commentary on the realities of the world. If artists find that freedom curtailed, it is not just artists, but all of us, who will lose something critically important.The damage to my own reputation is dwarfed by the regret I feel for clouding the issues of the Fair Use case. I let down artists and advocates for artist’s rights by distracting from the core Fair Use discussion with my misdeeds. The decision today will, I hope, mark an ending to what, for me, has been a deeply regrettable chapter. But the larger principles at stake—Fair Use and Artists’ Freedom—are still in jeopardy, and I hope we will remain vigilant in depending on the Freedom of Expression.